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it's a ripway bandwith problem i guess ,damndamndamn. I'm getting pissed off. http://host.picturewizard.com/2005-2/256848/SOSRD.mp3 http://host.picturewizard.com/2005-2/256848/SOSRD.mp3 Any idea where to upload stuff which actually WORKS?
Yea I play the turnaround 2 times and 3rd superimposing E7 ,C#7 ,F#7 ,B7 to E7 ,G7 (flat5 substitution for C#7 ) ,C7 (flat5 for F#7) and F7 (b5 for B7).
That's cool. I totally get lost after the 1st turnaround. It seems that you stop sticking to the 12 bar structure after that. But I may be deaf.
I stay within 12-Bar blues all the time.turnaround just comes 2 times in the end but in the 3rd chorus it comes 3 times where the 3rd one is that substitution thingy. for clarity : 1st chorus : normal turnaround 2 times. 2nd chorus : 1 time turnaround ,1 time b5 substitution turnaround. 3rd chorus : normal turnaround 2 times , 1 time b5 substitution turnaround. Suggested melody (which I use ) : http://host.picturewizard.com/2005-2/256848/melody.mp3 or : http://home.ripway.com/2005-2/256848/melody.mp3 (which link works ? Or do they work at all?)
LMAO! (Both worked now.) I don't know, it just bothered me cause I wanted to come up some kinda recognizable melody instead of a mindless (and pointless) shredding.
Hmm.. lol Are You in tune? Or more like impostuned http://host.picturewizard.com/2005-2/256848/InfantEyes.mp3
Ever heard the pop song Senza Una Donna by Paul Young and Zucchero? The song is okay, but the guitar solo is the shit. It blows my mind everytime I hear it. Corrado Rustici at his best.
Intro: 2x C, Fsus2, G; Head: C, Bbsus2, Fsus2, G, C, Bbsus2, Fmaj7, F#dim, Gm7, E, Asus4, Dsus2, Fsus2, G, 2x (C, Fsus2, G) Bridge: Am7, Em, F6, G, Am7, Em, Fmaj7, F#dim, Gm7, E, Asus4, Dsus2, Fsus2, G, Ending: 3x (C, Fsus2, G) Bbsus2, C, Dadd4, Csus2
BTW, I switched back to a wound G. That particular set with the unwound .020 is practically unavailable, so I bend this .024 wound bastard (if I REALLY have to, lol). Pros: the tuning is much more stable (every plain 3rds are already out of tune with itself due to the tension-to-stiffness ratio.)
Just to spice up the good old song. Sus chords are the most erotic chords in the world, I mean it. Jazz guys used to come up with those big, beefy major/minor-69-13-blowjob-it'll-take-twenty-one-fingers-to-hold chords that don't mean a thing. Then you just hold this sus2 and they're like "Wow, nice. What the hell was that?". They open things up.
Seen this Scott Hendersons thingy? Red square indicates that a major'chord' is formed where the top note is the indicated interval number of major chord.(Fe.x place that 1st form to 4th,7th,9th,11th or 12th fret to get E-major sound) Blue gives minorsounds ,green dominant,orange ,altered dominant sounds.
